On Scott Helmes birthday, which was yesterday, I received this print from him, which reminds me that I never send him gifts, though he sends them to me.

It is a small gift, but dear. Scott has spent years perfecting his technique, and he is one of the great artists in the world of visual poetry. This work is a word of textual abstraction.

Into it, Scott has assembled a number of fragments of letters, which he has put together into shapes that resemble words, but unreadable ones. It is the beauty of these shapes, how they fit together as if they were always one, and how they mimic writing without ever seeming to be writing that makes this a great poem.

These shapes are pressed deeply, and in a pure black, into the cream sheet of heavy cardstock. This poem is a physical even.

I've been in meetings, a big quarterly meeting broken into parts, for the last couple of days, so I have spent some time scribbling little inky fidgetglyphs onto sheets of paper. I think as I write. I listen. I stop and speak. I have plenty to say. But the fact of a flat table before me, along with pads of paper and a pen or two, leads me create these little objects of textual contemplation.

I am rarely a mailartist anymore. I stopped on my birthday, when I stopped sending a poem out each day for an entire year. I've made only one set of postcards I've sent out to folks this year. I am slowing down, becoming winter, a slow cold. I cannot create as I used to. I am given over to slowness.

But some people still send me pieces in the mail, things to think about, to be thought of. I think of them.
2

We are overwhelmed or taken over by the image of the artist. That is what stands between us and the art.

Yesterday, I found myself, almost totally unexpectedly, at the Museum of Modern Art (MoMA) with the French-Canadian poet Steve Giasson (whom I was trying to meet) and the English poet Phil Davenport (whom I had no idea was in New York City).

Because I don't know how to stay in one place, I'm flying to Portland, Oregon, on November 4th, so I can be at the opening of an exhibition of object poems that will include some of mine. On the 5th, I'll be part of a poetry reading, though I always call these performances, since I read some, but not all, of the poems I perform.
1

SpringHill Suites, Room 109, Cheyenne, Wyoming

I am in Wyoming for two nights. The purpose of this trip is archival, but poetry follows me everywhere. I read Martin Glaz Serup's new book <i>The Field</i> on the first plane flight of the day, and it inspired a few short poems by me. Soon, I'll write a few words about that, but not tonight. I'm giving an all-day workshop tomorrow, and I'll need a little sleep, maybe a lot.

The last leg of my journey to Cheyenne was by car from Denver.

On Saturday, I drove to St Catharines, Ontario, to perform, and I did.

On Sunday, I drove back home, stopping at Genesee Country Village and Museum (a collection of old buildings of many kinds, though primarily houses), and I found a doorstep there that reminded me of myself.

On Monday, I drove to Buffalo, a little shy of St Catharines.

Yesterday, I was in Buffalo for an all-day symposium on electronic records.

Garden Place Hotel, Room 159, Williamsville, New York

I am spending a second night in a strange place, a hotel in the Town of Amherst that is gaudy to the extreme ("so over-the-top that it can't see the top anymore," as I said to Jim and Patti Tammaro yesterday) but which is also quite pleasant hotel to spend a couple of nights.
3

Garden Place Hotel, Room 159, Williamsville, New York

For the second night in a row, I'm writing a blog entry based on a note to Gary Barwin. Part of the reason for this, I assume, is that Gary interviewed me on Saturday for Jacket2, and his questions (which showed an interest and understanding of what I'm trying to do as a poet) have made me continue to this about my ideas about poetry and the project I envision for myself within the realm of poetry.
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Yesternight's poetry performance was one of my favorite ever.
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Future Appearances in Space
Future Appearances in Space
This is a list of where I expect to be on the road in the future. If anyone knows of anything of possible interest to me happening in these places at these times, drop me a line, though I can’t be sure I’ll have the time for anything.

  • 3-5 October 2011: Buffalo, New York
  • 6-8 October 2011: Cheyenne, Wyoming
  • 19-22 October 2011: Bethlehem, Pennsylvania

  • Upcoming Readings and Performances
    Upcoming Readings and Performances
    1 October 2011
    The Grey Borders Reading Series
    Niagara Artists Centre
    354 St. Paul Street
    St Catharine's, Ontario
    Geof Huth, NF Huth, and Angela Szczepaniak
    8:00 pm


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    A kaleidoscopic review of visual poetry and related forms of art over the centuries, joined with the recollections of one contemporary visual poet. Topics of interest include visual prose, comics art, illustrated books, minimalist poetry, and visually-enhanced textual poetry.
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