Though we cut the world into pieces to make sense of it, I continue understand things in relation to others, mixing thoughts together, hybridizing ideas. So much so that I cannot tell if what I create are poems or cartoons. A common problem with visual poets, most of whom don't care about these distinctions. I care a little, but only because the boundaries are where I work the most, and the reality of those boundaries makes possible the work I do.

I wonder who was the greatest poet of the twentieth century: George Herriman or Bill Watterson? It is hard to say. Different styles allow different possibilities.

Below the Bar

Ghostlight Week at po-X-cetera

This week has been Ghostlight Week (Tim Willette's terminology) at Bob Grumman's weblog, po-X-cetera.

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I'm not sure I understand any of these "name homages" of mine. For each, I take the name of someone I know, mix it with some kind of micropressence of mine (only dbqp and qbdp so far), and create a long thin ribbon of text that plays off the shapes of that name. I have created four so far, but I keep wondering what their purpose might be.

What slips away from us is the past, which is the avatar of the continuous and only present we pass through. Unaware itself of time, everything appears before us fully formed and ineluctable. Our motions towards definition are merely our defining characteristics. When we believe we have not defined anything ourselves, we have purified our self-delusion into the sweetest and thickest of milks.

We understand through—not via—a process of forgetting.

Radisson Hotel Lackawanna Stations, Scranton, Pennsylvania

I'm sorry that tonight I am too tired and too busy to give you a real answer to your question. For now, let me simply say that I create to form a bulwark against nothingness. By creating something, I increase the chances that some physical memory of my work and me will remain.

Radisson Lackawanna Station Hotel, Room 219, Scranton, Pennsylvania

A visual poem is a reading of signs; a visual poem is reading and not-reading, seeing and not-seeing; a visual poem is about itself as much as it is about anything else.

ecr. l'inf.
1

I finished a vacation and slipped into a sickness that laid me up--first time this has happened to me for probably more than a dozen years. On Monday, I left work about an hour early, to slip into bed and experience the chills as my fever grew. On Tuesday, I spent most of the day sweating in that same bed and watching streams of news about the recent school shooting at Virginia Tech in Blacksburg, Virginia, one of the most wired places on the planet.

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ecr. l'inf.

North Easter Island Circle, Englewood, Florida

On the day before I leave Florida for home, I went out to see Bob Grumman at his home one more time. He had another project for me this time: to help him take the solid rubber tire off his bike wheel, since that tire was breaking the spokes of the wheel. For a while, I helped him by holding butter knives into the side of the tire and slightly lifting the covering around the solid rubber bike tube.

North Easter Island Circle, Englewood, Florida

The family visited Nokomis Beach today, on a ferociously sunny and nearly windless day. Today's trip to the beach was much different from our trip to Manasota Beach just a few days ago. The temperature was in the 90s, the beach had a wide swatch of middle sand for me to play with, and we were there as the tide was going out (allowing me a little more time to finish work on my sandglyphs).
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Future Appearances in Space
Future Appearances in Space
This is a list of where I expect to be on the road in the future. If anyone knows of anything of possible interest to me happening in these places at these times, drop me a line, though I can’t be sure I’ll have the time for anything.

  • 3-5 October 2011: Buffalo, New York
  • 6-8 October 2011: Cheyenne, Wyoming
  • 19-22 October 2011: Bethlehem, Pennsylvania

  • Upcoming Readings and Performances
    Upcoming Readings and Performances
    1 October 2011
    The Grey Borders Reading Series
    Niagara Artists Centre
    354 St. Paul Street
    St Catharine's, Ontario
    Geof Huth, NF Huth, and Angela Szczepaniak
    8:00 pm


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    A kaleidoscopic review of visual poetry and related forms of art over the centuries, joined with the recollections of one contemporary visual poet. Topics of interest include visual prose, comics art, illustrated books, minimalist poetry, and visually-enhanced textual poetry.
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